#Matilde pinchi pinchi wikipedia movie

These corrupt dealings were carried out under the unremitting gaze of hidden cameras, and when the contents of the so-called 'Vladivideos' were revealed, it marked the beginning of the end of Fujimori and Montesinos as rulers of the country.Īs Guillot told EFE, the film has as many 'fictional' as 'historical elements.' Montesinos, from the National Intelligence Service (SIN), which he turned into his center of operations, looted massive sums of public funds for businesses, politicians and leaders of public opinion in exchange for their supporting Fujimori's illegal reelection and other favors. we can imagine how the witnesses, ranging from former UN secretary Perez de Cuellar to Matilde Pinchi Pinchi, would feast making their accusations.

#Matilde pinchi pinchi wikipedia movie

This is particularly the case with the appearance in the movie of a television host, who, in her show, praises the government of Fujimori and Montesinos, and who recalls the real-life Laura Bozzo, the popular presenter who at the time was placed under 'house arrest' in a television studio, accused of accepting $3 million from Montesinos. The film, besides disturbing Bozzo, has also been slammed by Montesinos, popularly known as 'Doc,' who said in a notarized document that the film harmed 'his name and his good image.' Last week, Bozzo, who had already sent an affidavit to Guillot asking him not to premiere the film, said she will file defamation charges against the production. The movie also brings back memories of certain people close to 'Doc,' such as his trusted assistant Matilde Pinchi Pinchi, who betrayed him by going public with the first 'Vladivideo,' and the soldiers Nicolas Hermoza Rios and Roberto Huaman, who were tried in court.īut though there are many other corruption cases that Guillot could make into movies, he is not currently thinking about those stories and is rather focused on whether his film will be 'well received' by moviegoers and critics this Aug. 23, since it has already been rejected by those whose story it tells.